November 8 – November 9, 2017
Conversations in Light and Dark is a two-day event at the Academy of Fine Arts, Helsinki, in the dark winter. It revolves around a discussion of painting, and how artists who use painting think about the world. It is concerned with time, collecting – the artist as collector, the studio as archive and the things painters are interested in, what painters are thinking about and what forms an artist, early experiences, enthusiasms, connections to other artists, sometimes from another age or geographical location and of course painting and light. It aims to create an environment where artists and other practitioners talk like they do amongst each other, so there will be coffee and some open-ended discussion, which will form around presentations by our speakers.
Terry Winters, Declan Long, Alex Olson, Yuki Okumura, AGF aka Antye Greie-Ripatti, Kukka Paavilainen, Päivi Takala, Jonatan Habib Engqvist, Daniel Werkmäster, Aino Lintunen
Curated by Fergus Feehily
October 25, - November 12, 2017
Constellations arose in many ways out of a course at the Academy of Fine Arts, called Far from the Tree. The course had several iterations and directions, but common was an immersive week involving a great deal of discussion, reading, looking, listening, screenings, conversation and tea drinking. These discussions covered ideas around getting lost, putting things together, and collecting things like records, books or paper planes as Harry Smith did, with the intention to create a space to inhabit and to allow thought and feeling to move outwards in new directions, both during the course and beyond it. The exhibition seeks in a modest way to do the same.
The show features a number of archives, collections or ideas about painting assembled by individual artists. Students at the academy have also curated an exhibition within the exhibition, called Night Table, which is a response to the course and the building of this project. We are deeply indebted to all the artists, contributors and collectors who have responded to the project so generously.
Anonymous, Andreas Behn-Eschenburg, Ann-Sofie Claesson, Matt Connors/Pre-Echo Press, Annie May Demozay, Koen Delaere and Bas van den Hurk, Erno Enkenberg, Far from the Tree, Lasse Juuti, Hannele Kumpulainen, Emelie Luostarinen, Mauno Markkula, Inga Meldere, Brendan Moran, Petri Ala-Maunus, Night Table, nynnyt, Peter Ojstersek, Yuki Okumura, Alex Olson, Nils Titus Östbrant and Ignat Burdo, Vesa-Pekka Rannikko, Sebastian Reis, Astrid Strömberg, Päivi Takala, Inari Sami garment, Harry Smith’s Folk Anthology, Tuukka Tammisaari
Curated by Fergus Feehily
Night Table is an exhibition within and exhibition, selected by students on the Far from the Tree course: Iina Torikka, Celeen Mahe, Brendan Moran, Astrid Strömberg, Andreas Behn-Eschenburg, Sebastian Reis, Annie May Demozay, Aino Lintunen. They have chosen to show: Emma Ainala, Andrew Vickery, Liisa Karintaus, Kathy Tynan, Jon Verney, Laura Wesamaa, Christina Read, Lewis Miller
October 6 - December 22, 2017
Jill Baroff, Christiane Baumgartner, Rana Begum, Nelleke Beltjens, Henrik Eiben, Fergus Feehily, Lutz Fritsch, Joe Fyfe, Frank Gerritz, Hubert Kiecol, Imi Knoebel, Gereon Krebber, Daniel Lergon, Kai Richter, Winston Roeth, Natascha Schmitten, Max Sudhues, Richard Tuttle
Curated by Aeron Bergman and Alejandra Salinas
May 14 - June 7, 2017
April 8 – May 21, 2017
Gill Addison, Robert Baker, Robert Ballagh, Diana Copperwhite, Gerry Davis, Jack Donovan, Fergus Feehily, Tom Fitzgerlad, Alberto Giacometti, David Godbold, Patrick Graham, Patrick Hall, Charles Harper, Tjibbe Hooghiemstra, Ramon Kassam, Alan Keane, Sean Keating, Maggie Madden, Elizabeth Magill, Brian Maguire, Katrina Maguire, Conor Masterson, Dougal McKenzie, William McKeown, Michael Minnis, Henry Moore, Áine Nic Giolla Coda, Mark O’Kelly, Paul O Reilly, Garett Phelan, Kathy Prendergast, Anne Ryan, Sean Scully, Richard Slade
January 8 – February 5, 2017
D.L. Alvarez, Alain Biltereyst, Nayland Blake, Sarah Braman, Anne Collier, Keith Coventry, Fergus Feehily, Harrell Fletcher, Georg Herold, Matthew Higgs, Elizabeth Jaeger, Meredith James, Xylor Jane, Ajay Kurian, Jim Lambie, Charles LeDray, Margaret Lee, Zoe Leonard, Thomas Locher, Alicia McCarthy, Keegan McHargue, Mathieu Mercier, Jonathan Monk, Dugan Nash, Bill Owens, Djordje Ozbolt, Raymond Pettibon, Jack Pierson, Scott Reeder, Tyson Reeder, Michael Sailstorfer, Hayley Tompkins, Tilman Wendland, Erwin Wurm, B. Wurtz
Curated by Misako & Rosen, Tokyo
December 11, 2016 - January 28, 2017
Richard Aldrich, Ei Arakawa, Kaoru Arima, Fergus Feehily, Nathan Hylden, Shimon Minamikawa, Miki Mochizuka, Trevor Shimizu, Hisachika Takahashi, Kazuyuki Takezaki, J Parker Valentine, Yui Yaegashi
Selected by Brian Duggan, Sarah Glennie, Jenny Haughton & Declan Long
November 25, 2016 - January 21, 2017
Aquinas, Callan Workhouse, Nina Canell & Robin Watkins, Dorothy Cross, Willie Doherty, Douglas Hyde Gallery, Fergus Feehily, Four Gallery, Anthony Haughey, Hotel Ballymun, Patrick Jolley & Reynold Reynolds, Aileen Lambert, Clare Langan, Metropolitan Complex, Michael McLoughlin, Isabel Nolan, Emer O'Boyle, Margaret O' Brien, Deirdre O'Mahony
Tuesday, March 8, 2016 - 7pm
Feehily has a very good eye, and knows how to make modesty feel major. And that, evidently, is plenty.
Martin Herbert, review of Fergus Feehily at Stuart Shave/Modern Art, Frieze (October 2011).
Fergus Feehily is a Berlin- and Helsinki-based artist known for works that present as unassuming in scale, content, and fabrication, but with time and close examination reveal a quiet yet enormous power. While clearly aware of his Post-Minimalist heritage, Feehily is too in touch with the moment of making to be consciously beholden to his predecessors. Feehily’s own push and pull between permanence and impermanence, the deliberate and the accidental, finished and unfinished creates an unidentifiable but exhilarating anxiety that the artist uses to engage the viewer. As described by Martin Herbert in a review for Frieze magazine, “There’s an appealing sense of these works as waiting, each inlaid with their handful of concealed quirks. . . . What strikes you is the operation of a consistent if slightly unpredictable sensibility: these are paintings that feel to have been rigorously tuned, arrested when they’re no longer austere and not yet busy.”
For Tuesday Evenings at the Modern, Fergus Feehily shares the ideas that have determined his career as an intriguing and significant contemporary artist.