Winter Solstice 2023

As the year draws to a close, here are some notes on things that struck me this year, it is not comprehensive, there were many more, but they offer a flavour of the year.

Some highlights 2023: publishing with Zolo Press and the subsequent book launch at La Maison de Rendez-vous, Brussels; Loren Connors and Alan Licht at London’s Café Oto, Mike Nelson, the Hayward Gallery, Steve McQueen at the Serpentine  and Souls Grown Deep at the Royal Academy, London, in a memorable two days of looking and listening with an old friend; Richard Gorman at the Hugh Lane, Dublin; seeing the Japanese band Boris playing the Button Factory, Dublin with another old friend visiting from NYC; Berlin’s lakes; bardskull by Martin Shaw; Taskmaster; Martin Wong, KW, Berlin; the Dead C’s extraordinary 3-day residency at Café Oto, London; Moki Cherry, ICA, London; reading Ursula K. Le Guin; Evan Parker’s beautiful solo concert at St. Marien Wallfahrtskirche in Weidingen; visiting Newgrange in the sun and Glendalough in torrential rain; American Magus Harry Smith: A Modern Alchemist, edited by Paola Igliori; seeing many old friends turn out for the opening of Fronts/Backs at Complex, Dublin; Genesis P-Orridge’s Nonbinary: A Memoir; eating pizza in the open air in Weidingen; swimming at Dollymount Strand; a boozy lunch with my wife at Dublin’s Dolce Sicily; visiting Stoney Road Press;  Isa Genzken at Die Neue Nationalgalerie, Berlin;  Backlisted podcast; Brian Maguire at Kerlin Gallery, Dublin; Richard Thompson’s memoir Beeswing: Finding my own voice; watching old films - including Harvey and Close Encounters; John Szwed’s  Cosmic Scholar: The Life and Times of Harry Smith; Miroslav Tichý’s drawings at Kewenig, Berlin; St. George’s Bookshop in Prenzlauer Berg; multiple visits to the Humboldt Forum; Alan Moore’s From Hell; Algernon Blackwood’s weird ghost stories; ice cream from Rosa Canina, Berlin; Merlin James at Kunstsaele, Berlin; eating at Smartdeli, also, unsurprisingly in Berlin; Sway of the Verses’ insightful radio shows focused on Raga and Tala based music on both NTS and Balamii; visiting the David Parr House; Blank Forms beautiful monograph on Curtis Cuffie; drinking Guinness in Toner’s snug, Dublin; Nivhek at Silent Green, Berlin; A. S. Byatt’s On the Conjugal Angel; Peter Halley, Mudam, Luxembourg; Lin May Saeed’s poignant posthumous exhibition The Snow Falls Slowly in Paradise at Berlin’s Georg Kolbe Museum; the Thurston Moore Band at Festsaal Kreuzberg, Berlin; Hervé Guibert’s beautiful photographs at KW, Berlin; seeing Cecilia Bullo’s show open at the RHA, Dublin after many conversations in the lead up; listening to the music of Meredith Monk throughout the year; watching John Rogers’ films on YouTube, discovering W. Somerset Maugham’s The Moon and Sixpence; to my surprise, listening to  Donovan’s I am the Shaman and watching my son devour manga. Lowlights: the destruction of much of the artist David Farrell’s archive in Italy, being ghosted by people in positions of power, hypocrisy, war and hatred.

Zolo Press

David Farrell

Zolo Press at Dublin Art Book Fair, 2023

December 7- 17, 2023

Dublin Art Book Fair, Ireland’s leading art book fair and centre for artist books, presents its thirteenth edition. Taking place in Temple Bar Gallery + Studios over ten days, DABF champions small, creative independent publishers, and both Irish and international artist books. Within this mix, over 500 newly published and unusual publications on art, design, visual culture, philosophy, architecture, select fiction and poetry will feature alongside a special selection of nominated books by Guest Curator Wendy Erskine.

Wendy Erskine's theme Polyphonic, is celebrated further through a programme of talks, readings, workshops, book events and participatory events. Interested in the innumerable viewpoints, stories or perspectives that can originate from a single source, Erskine’s theme celebrates the creation of artwork that brings multiple voices together.

Erskine writes, "multiple voices; multiple narratives; multiple perspectives: the polyphonic. Whether it’s simultaneous or sequenced, whether it’s in visual art, text or sound, let’s celebrate polyphony in all its complexity and contrariness. Let’s explore this non-hierarchical, democratic mode which allows for plurality of expression and response. The polyphonic, a challenge to the controlling, totalising ‘I'."

Temple Bar Gallery + Studios

Zolo Press

Zolo Press at Tokyo Art Book Fair, 2023

23 - 26 November, 2023

The new monograph, on Fergus Feehily, Zolo Press will be available, amongst many other publications including Gabriel Orozco, Diario de Plantas, 2023, Bárbara Sánchez-Kane, New Lexicons for Embodiment, 2023 and Doug Aitken, Mirage, 2023.

Tokyo Art Book Fair started in 2009; the first book fair in Japan to specialize in art publications.

Held annually, it gathers independent publishers, gallery presses, bookshops as well as individual artists and groups. The fair has seen constant growth in its scale and content over the years, and the event now gathers more than 350 participants from Japan and abroad and attracts more than 20,000 visitors every year.

At the fair, visitors can communicate with and buy publications directly from hundreds of publishers and artists who create unique and innovative art publications; they can also enjoy various events including special exhibitions, talks/panel discussions and film screenings. As the biggest of its kind in Asia,Tokyo Art Book Fair aims to champion and lead art publishing culture in the region, and create the ideal opportunity for visitors to experience the ever evolving, vibrant arena of arts publishing.

Tokyo Art Book Fair

Zolo Press

Misako & Rosen

Misako & Rosen at Tokyo Art Book Fair, 2023

23 - 26 November, 2023

The new monograph, on Fergus Feehily, published by Zolo Press will be availible, amongst many other publications by the gallery and gallery artists.

Tokyo Art Book Fair started in 2009; the first book fair in Japan to specialize in art publications.

Held annually, it gathers independent publishers, gallery presses, bookshops as well as individual artists and groups. The fair has seen constant growth in its scale and content over the years, and the event now gathers more than 350 participants from Japan and abroad and attracts more than 20,000 visitors every year.

At the fair, visitors can communicate with and buy publications directly from hundreds of publishers and artists who create unique and innovative art publications; they can also enjoy various events including special exhibitions, talks/panel discussions and film screenings. As the biggest of its kind in Asia,Tokyo Art Book Fair aims to champion and lead art publishing culture in the region, and create the ideal opportunity for visitors to experience the ever evolving, vibrant arena of arts publishing.

Tokyo Art Book Fair

Misako & Rosen

Irish Arts Review

Autumn 2023

Volume 40. No. 3

Seán Kissane, Curator of Exhibitions at IMMA reviews the recent Zolo Press monograph, Fergus Feehily, 2023.

“Fergus Feehily (born 1968, Dublin), makes art through constant experimentation. He challenges conventional notions of what a painting or installation might be, with materials that often include scraps of wallpaper or fabric, using erratic brushstrokes. This artist’s book holds roughly fifteen years of Feehily’s practice. It is reticent about explaining the work. The three essays included are not quite an afterthought, but they only occupy 7 pages out of 230, emphasising how this is a book about images, not words.”

Irish Arts Review

Seán Kissane

IMMA

Zolo Press at Printed Matter’s 2023 LA Art Book Fair

Printed Matter LA Art Book Fair

10 - 13 August, 2023

The Geffen Contemporary at MOCA

152 N Central Ave, Los Angeles, CA 90012

This August, Printed Matter’s LA Art Book Fair (LAABF) returns to Los Angeles—the first time back since 2019! LAABF 2023 is taking place August 10–13 at The Geffen Contemporary at MOCA in the Little Tokyo neighborhood of downtown Los Angeles.

LAABF 2023 will feature more than 300 international exhibitors, including artists and collectives, small presses, institutions, galleries, antiquarian booksellers, and distributors. This year’s Fair will forefront artists’ books from Latin America and Asia-Pacific, feature a newly commissioned exhibition and mural, and highlight LA-based artists, community-driven projects, and interdisciplinary artists’ publishing practices from around the world.

LA Art Book Fair

The Geffen

Zolo Press

Rīga Confidential

Misako & Rosen, Tokyo present Fergus Feehily at Rīga Confidential

Opening: 21 June, 6-9 pm

Participant presentations: 22 July 12-4 pm

22 June - 30 July, 2023

Participating institutions: 427 (Rīga), Alma (Rīga), Artbeat (Tbilisi), Editorial (Vilnius), Green Gallery (Milwaukee), Kim? (Rīga), LambdaLambdaLambda (Prishtina), Misako & Rosen (Tokyo), Temnikova Kasela (Tallinn)

Artists: Tamar Botchorishvili, Fergus Feehily, Kristians Fukss, Richard Galling, Vedran Kopljar, Katy Cowan, Ieva-Kraule Kūna, Liudmila (Miša Skalskis un Milda Januševičiūte), Ieva Putniņa, Līva Rutmane, Anastasia Sosunova, Līga Spunde, Sigrid Viir, Elīna Vītola, Dardan Zhegrova

Rīga Confidential brings together international, experimental and established galleries as well as non-profit art institutions from the Baltics, Japan, the US, Kosovo and Georgia to introduce the Latvian art audience to new names from exciting regions and to activate Rīga’s contemporary art market.

Rīga Confidential is to serve as a meeting point for art institutions, artists and the public, informing and democratizing art sales activities and promoting forms of support for art institutions and artists. The day after the opening, we invite you to an event in which gallerists will present and talk about their spaces and the history thereof, as well as about decades of working side by side with their artists, tools for promoting artists’ careers, collaborations with local creative communities from Milwaukee, Pristina, Tallinn, Tokyo, Vilnius, and Riga, their challenges, difficulties and, of course, successes. At the same time, our guests will be introduced to Rīga’s contemporary art and culture scene, accompanied by visits to artists’ studios and meetings with art students.

The name Rīga Confidential alludes to the Onsen Confidential gallery and art space exchange project in Tokyo, inspired by precedents such as Milwaukee International, Paramount Ranch, Condo, OKEY DOKEY, Friend of a Friend, and Villa projects (Villa Warsaw, Villa Reykjavik and Villa Toronto), as well as non-profit initiatives such as NADA (New Art Dealers Alliance), Paris Internationale and gallery associations such as CADAN (Contemporary Art Dealers Association of Japan) and IGA (International Gallery Alliance).

Rīga Confidential

Collections of Things, La Maison de Rendez-Vous, Brussels

Please join us in Brussels on Wednesday June 7th, 6:00-9:00pm, At La Maison De Rendez-vous, For the launch and signing of Feehily's monograph, some artist editions, and a one-night show!

Oil, carpet tacks, acrylic, gesso, gouache, twigs, the occasional spray paint, pencil, dabs of watercolour, found photographs, found frames, bandages, a paper bag or two, screws, aluminium foil, sweet wrappers, scrap wood. The marginal meets in the paintings of Fergus Feehily (1968, Dublin, Ireland), paintings that themselves stand at the periphery of contemporary painterly conventions - Whose "subtle activity," as Martin Herbert observes, "Is On Its Way Somewhere Else, Drifting Out Of View." This book is the most comprehensive monograph on the artist to date. It brings into view more than one-hundred works made over more than 15 years alongside clippings, notes, and research material from the artist's archive as well as exhibitions staged from Aachen to Mexico City to Tokyo. Essays by Martin Herbert, curator Chris Sharp, and artist Sarah Braman celebrate Feehily's reminder of, as writes the latter, "the joy of just looking".

Beers by Illegaal Belgium

Zolo Press

La Maison De Rendez-vous

A. W., 41/42, Cornwall

Fergus Feehily has in recent years shown a certain reticence to in any sense explain his work and A.W., his new publication for 41/42, is no different. The publication was made over just a couple of weeks in early 2023, and includes paper works made by Feehily in the last couple of years, images from the artist’s collection, and makes reference to the artist Alfred Wallis, who lived in St Ives, Cornwall.

Fergus Feehily is an artist living in Berlin, Germany.

28 pages

14 x 20 cm b/w booklet

29.7 x 42 cm 2-sided colour sheet

First Edition of 30

2023

£10 + shipping

To purchase contact 4one4two@gmail.com

41/42

Fronts/Backs, Complex, Dublin

May 6 - May 26, 2023

Fergus Feehily, Glenn Fitzgerald, Sarah O’Brien, Tanad Aaron

Preview May 5, 18:00 - 20:00

"During my first meeting with Fergus, Glenn, and Sarah, I started with: 'I'm drawn to all three of you as artists because when I look at your paintings, they intensely trick me into thinking I can paint too'. In hindsight, I think I was alluding to the fact that all three artists make paintings using materials that are easily found and gathered, such as sweet wrappers, office prints, glue, household paint, tinfoil, zip lock bags, coloured paper, old frames, glitter, carpet underlay, cardboard, wood, screws, and various textiles. Encouraging a form of art-making through intuition as opposed to tradition. Paintings formed in such a way may be seen as "poor" in some cases.”

Curated by Mark O’Gorman

Complex

Misako & Rosen, NADA, Miami

November 30 – December 3, 2022

The New Art Dealers Alliance (NADA), is pleased to present the 20th edition of NADA Miami, which will be held at Ice Palace Studios.

This year marks both the 20th edition of NADA Miami—which held its inaugural edition in 2003 with just 35 exhibitors—as well as the 20th anniversary of the New Art Dealers Alliance, which was founded in 2002.

NADA Miami 2022 will showcase a diverse selection of 146 galleries, art spaces, and nonprofit organizations spanning over 40 cities around the globe including Paris, Tokyo, Dubai, Toronto, Buenos Aires, and Copenhagen. This year’s fair includes over 80 NADA members and 37 first-time exhibitors. The fair will also feature NADA Presents, the organization’s signature programming series of conversations, performances, and events, as well as a Curated Spotlight, a special section highlighting a selection of galleries organized by a renowned curator and presented in partnership with TD Bank.

Misako & Rosen

The New Art Dealers Alliance

Portals at Dublin Art Book Fair 2022

November 24 - December 4, 2022

Dublin Art Book Fair 2022: A Caring Matter

backbonebooks shows Fergus Feehily’s Portals, 2022 at the Dublin Art Book Fair. Temple Bar Gallery + Studios presents Dublin Art Book Fair 2022: A Caring Matter (DABF22), the twelfth edition of Ireland’s only art book fair, sponsored by Henry J Lyons. Taking place from 24 November to 4 December 2022, the gallery is transformed into an art book fair where you can enjoy an impressive range of artist books, curated book titles, independent publishers, talks and events in a unique atmosphere.

Rosie Lynch, Creative Director of Workhouse Union in Kilkenny, is DABF22 Guest Curator. Her theme, A Caring Matter, is explored through the books themselves and an eleven-day programme of talks, events and workshops. At the crux is the idea of care, considered in poetic and imminent ways through the role of formal and informal publishing, and how we build communities of solidarity and belonging to how we care for our buildings and towns. Lynch’s programme puts care at the centre of how we think about society, our environment, how we work, live and make art.

Dublin Art Book Fair 2022: A Caring Matter is sponsored by Henry J Lyons and supported by Dublin UNESCO City of Literature.

Temple Bar Gallery + Studios

Dublin Art Book Fair

backbonebooks

Portals at Super BOOKS 3, Haus der Kunst, Munich

Portals features as part of backbonebooks presentation at Super BOOKS 3, Haus der Kunst, Munich.

Super BOOKS 3

November 11 - November 12, 2022, 12 – 8 pm

In November, Haus der Kunst will host the third edition of Super BOOKS. Over two days, artists, designers, and alternative publishers will show their publications. Super BOOKS was organized for the first time in 2019 at Haus der Kunst as part of the exhibition "Archives in Residence: AAP Archiv Künstlerpublikationen" curated by Sabine Brantl. The project aims to be considered part of the tradition of independent showcases for artists’ publications that have formed in the context of the international, post-avant-garde art scene since the 1960s.

Super BOOKS is a collaborative project between Haus der Kunst, AAP Archive Artist Publications, the Bayerische Staatsbibliothek, the Academy of Fine Arts Munich and the Kunsthochschule Kassel.

Curated by Sabine Brantl with Hubert Kretschmer, Lilian Landes, Veronika Günther and Martin Schmidl.

Super BOOKS 3

Haus der Kunst

Art School: A Beautiful Uncertainty

The text, Art School: A Beautiful Uncertainty is included in Rethinking the crit: New pedagogies in design education, which has just been published by Routledge, 2022.

Edited by Patrick Flynn, Maureen O'Connor, Mark Price and Miriam Dunn.

Maureen O’Connor, Johan De Walsche, Rosie Parnell, Collette Nolan, Bill O’Flynn, Mia Roth-Čerina, Caterina Barioglio, Daniele Campobenedetto, Kathryn H. Anthony, Donal Moloney, Carmen Tomas, Martin Gledhill, Sevgi Türkkan, Rashida Ng, Lindy Osborne Burton, Hermie Delport, Jolanda Morkel, Michele Gorman and Alice Clancy and contributions from Johanna Cleary, Lorena Dondea, Patricia Ruisch, Sam Carse and Sarah Sheridan.

Rethinking the Crit

Half Doors, Lulu, Mexico City

September 10 - November 5, 2022

The impossible elegance of Fergus Feehily’s painting. Its economy both of scale and means, humble (but is it?) and domestic-sized and made of the stuff of the everyday. Its humor, how apparently playful it is, even a touch absurd, and yet, deeply thoughtful and totally rigorous. Have you ever seen anything so beautiful and unhinged? I mean it’s a broken piece of wood sutured with a dirty piece of medical tape, which is just starting to peel off (oh no!). But it is so utterly serious at the same time. Look at that artist-made metallic frame. And the well, let’s admit it, opulent amber-hue…. How much of the history of 20th century art and painting is subsumed in this gesture? Duchamp, Burri, Fontana, probably more, and yet, it kind of just disappears before the unremitting, if casual pulchritude of this object. Elsewhere, fluorescent daubs of paint skittering gaily around a slate grey surface, as if applied in a state of elated distraction. Really? Is he fucking with me? Foutage de gueule? But look at the frame. The colors of it. There’s nothing distracted about any of this. And the box on the shelf? Is it a painting? It is. Look at it closely. The glittering, multi-colored sides. The importance of the role this part of painting plays in the practice of the artist cannot be overstated. Never mind the oddly sensuous surface and striations of the plywood and its almost accidental pictorial quality, which is nevertheless perfectly compelling as a picture. But then again, maybe the plywood are the sides? Conceptual, so to speak, painting at its finest, this work is blessedly devoid of the dourness associated with conceptualism. Consider the warmth and brightness of it. This is the joy of contemplation. Of painting. Of painting that is not painting. But really is. Much more so than it is conceptualism, in any event.

Lulu